Best Budget Led Lights For Video: What’s The Difference?
There are different types of LED light bulbs which are used for various purposes. These include incandescent, fluorescent, metal halide and compact fluorescents. Each type has its own advantages and disadvantages. Some of these lamps have been designed specifically for use with digital cameras or camcorders. Other types are suitable only for indoor use and cannot be operated outdoors without special equipment. There are some lamps which are not suitable at all.
The main difference between the different types of led lights is their efficiency and cost. The cheaper ones tend to produce less light than higher-end models while they consume more power too. They can’t be operated outside either because they’re heavy and require a separate battery pack.
If you want to operate your lamp indoors, you’ll need to buy a special outdoor version of it.
In general, the cheaper versions are better suited for low-light situations such as when shooting movies. They’re also good if you don’t mind using a little bit of extra energy. However, they won’t give you the same level of brightness as high-end models.
You might need to invest in one of those if you plan to shoot videos regularly.
Make sure you read the instructions thoroughly before attempting to operate your lamp. Also, keep it away from extreme heat or moisture at all times. Don’t leave it in the trunk of your car during the summer or winter, or else you might damage its internal components.
A good set of lights will last you up to ten years if taken care of properly.
A lot of people assume that professional film equipment is out of their price range, but that isn’t always the case. You can create a lot of different effects with high-end lighting equipment. The expensive ones usually have a longer life and aren’t prone to breaking down.
Due to their high quality, it’s unlikely that you’ll ever need to replace them. Even so, they’re still fairly expensive regardless of which one you buy.
The next cheapest types are the ones which are suitable for indoor use only. These are cheaper mainly because they can’t be used outside without proper protection from the elements. They’re fine for amateur cinematographers who aren’t thinking about going pro, but even then it’s unlikely that they’ll ever need a replacement.
The least expensive types are the ones which are good for low-light conditions only. These aren’t very powerful or durable either and eventually they’ll break if you use them too much. They’re only really suitable as backup lights when you need a quick fix.
They can’t create the effect that a high-end lamp can produce but they’re good enough if you’re on a limited budget.
If you rarely use your camcorder or digital camera for photography, then it doesn’t make sense to buy professional equipment. The high-end stuff is great for when you want to take pictures or shoot movies for a living, but it isn’t necessary if you just want to do it as a hobby.
Sources & references used in this article:
Modest-cost, mobile” in-lab” video studio by WT Burnett Jr, DH Lion – Journal of Chemical Education, 1977 – ACS Publications
Basics of video lighting by D Lyver, G Swainson – 1999 – books.google.com
Best practices in teaching media production in an online environment by L Fulton, B Pavolik, M Piwinsky – Society for Information Technology …, 2016 – learntechlib.org
Best Practices in Teaching Lighting for Media Production in an Online Environment by L Fulton – E-Learn: World Conference on E-Learning in …, 2016 – learntechlib.org
The Art of Lighting for Recording Video Oral History Interviews by DA Boyd – Oral History in the Digital Age, 2012 – ohda.matrix.msu.edu
Using Video in Flash by M Kemper – AdvancED Flash Interface Design, 2006 – Springer
Film and video lighting terms and concepts by R Ferncase – 2013 – books.google.com
Frontline education kits# 1 &# 2 by M Considine – Metro Education, 1997 – search.informit.com.au